Fire Arts: Pasts and Futures

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Fire Arts is a three-day conference that shares and advances the collaborative research projects of a group of like-minded scholars, scientists, performers, and artists, many of whom are members of the Active Matter collective. This group studies historical knowledge systems and artisanal processes for what they can tell us about our cultural pasts and our collective paths towards sustainable and regenerative futures.

Morning sessions take place in the Adams Presentation Room of ARCA at Texas A&M Main Campus and are free and open to the public. They feature seminar-style presentations followed by question and answer periods.

Afternoon sessions take place at the Architecture Fabrication & Design Lab at Texas A&M RELLIS Campus and are by invitation only. They feature hands-on experiments in three different reconstructed historical furnaces: an early modern European goldsmithing furnace, an early modern European distillation furnace, and a pre-Hispanic Colombian guaira—a portable, clay, goldsmithing furnace.

Fire Arts is organized by Dr. Tianna Helena Uchacz, Assistant Professor, School of Performance, Visualization & Fine Arts. For more information or to request an invitation to the RELLIS workshops, email Dr. Uchacz: thu@tamu.edu

Fire Arts has been generously supported by:
School of Performance, Visualization & Fine Arts: Interdisciplinary Grant
Melbern G. Glasscock Center for Humanities Research: Small Conference Grant
Academy of the Visual & Performing Arts: Research Grant

Adams Presentation Room, ARCA
(free and open to the public)

8:45–8:50Welcome
Tim McLaughlin, Interim Dean, School of Performance, Visualization & Fine Arts
8:50–9:30Lightning Talks: Introductions to the Reconstruction Workshop Projects at RELLIS
9:30–10:15A Return to Process: Reconstructing Pre-Hispanic Colombian Goldsmithing Techniques
Ana María Jiménez, MFA, artist & jeweler
Dr. Andrés Vélez Posada, professor of arts & humanities (Universidad EAFIT)   
10:15–10:30 Break
10:30–11:00Clay: The Genesis and Properties of an Artisanal Material
Dr. Julie Howe, professor of soil science (Texas A&M)
11:00–11:30Furnace Fuel: Managing the Heat of Coal, Coke, and Charcoal
Alan Lee, blacksmith, Steephollow Forgeworks
11:30–12:00Craft and Simulation: Digitally Mediated Bench Practices
Michael Gayk, MFA, metalsmith, computational designer & instructional associate professor (Texas A&M)

Architecture Fabrication & Design Lab, RELLIS
(by invitation only)

Intro to “The Ranch” by Will DiNisco, School of ArchitectureTour, practicalities, safety, etc.
European Goldsmithing FurnaceCupellation: trial 1
Enameling: trial 1
Granulation: silver, trial 1
Distillation FurnaceHeat management tests
Pre-Hispanic Colombian Guaira Furnacetrial 1
Pre-Hispanic Colombian Pit Firing

Adams Presentation Room, ARCA
(free and open to the public)

8:45–8:50Welcome
Dr. Troy Bickham, Interim Director, Glasscock Center for Humanities Research
8:50–9:30 Group Discussion: Monday’s Reconstruction Experiments at RELLIS
Moderated by Dr. Hannah Elmer (Leibniz University Hannover)
9:30–10:00Early Modern Artisans Moving between Designs and the Finished Object
Dr. Tianna Uchacz, historian of art and craft technology & assistant professor (Texas A&M)
10:00–10:30 Reconstructing a Sixteenth-Century European Goldsmithing Furnace: Technical principles, Structural Requirements, and Practical Issues
Dr. Peter Oakley, reader in material culture & co-lead of the material engagements research cluster (Royal College of Art)
10:30–10:45Break
10:45–11:10Furnaces in Early Modern Goldsmithing and Beyond
Dr. Thijs Hagendijk, historian of early modern practicl knowledge & assistant professor (Utrecht University)
11:10–11:35Exploring Experimental Granulation Techniques in a Reconstructed Goldsmithing Furnace
Dr. Katharina Vones, jeweler & lecturer in jewelry (Royal College of Art)
11:35–12:00 Understanding Historical Enameling via Experiments in a Reconstructed Goldsmithing Furnace
Dr. Márcia Vilarigues, assistant professor & head of the conservation department (NOVA school of science and technology)

Architecture Fabrication & Design Lab, RELLIS
(by invitation only)

European Goldsmithing FurnaceCupellation: trial 2
Enameling: trial 2
Granulation: silver, trial 2
Distillation FurnaceRosemary water: trial 1
Basil water: trial 1
Pre-Hispanic Colombian Guaira Furnacetrial 2
Pre-Hispanic Colombian Pit Firing

Adams Presentation Room, ARCA
(free and open to the public)

8:45–8:50Welcome
Dr. James R. Ball III, Director, Academy of Visual & Performing Arts
8:50–9:30 Group Discussion: Tuesday’s Reconstruction Experiments at RELLIS
Moderated by Dr. Hannah Elmer (Leibniz University Hannover)
9:30–10:00Distilling Knowledge in Early Modern Europe
Dr. Tillmann Taape, Historian of Science & Lecturer in History of Medicine (Charité Universitätsmedizin)
10:00–10:30 Alchemizing Kudzu: From Invasive Species to Artificial Gemstones
Dr. Donna Bilak; historian of alchemy, goldsmith, & director of Active Matter (NYU & Pratt Institute)
10:30–10:45Closing Summary
Dr. Uchacz & Dr. Bilak
11:00–12:00Closed door discussion about publication plans, next steps, etc.

Architecture Fabrication & Design Lab, RELLIS
(by invitation only)

European Goldsmithing Furnacetear down
Distillation FurnaceRosemary water: trial 2
Basil water: trial 2
Pre-Hispanic Colombian Guaira Furnace
Pre-Hispanic Colombian Pit Firingtrials 1 & 2

The Adams Presentation Room (Rm 212) is on the second floor of the Langford A Architecture Building (ARCA) on the Main Campus of Texas A&M University. You will enter the Adams Presentation Room by walking through the Wright Gallery.

The Architecture Fabrication & Design Lab (“The Ranch”) is on the RELLIS Campus of Texas A&M University.

On Main Campus, visitors can use one of the visitor hourly parking lots.

On RELLIS Campus, visitors can pay for hourly parking using one of the kiosks on campus or through the Parkmobile App (using Zone 7743). Those who have a valid daily, weekly or monthly permit for any Texas A&M Main Campus lot and have registered their license plate may park at RELLIS under their existing permit.